Halt’s Maul und lies!

DIE ÄRZTE lesen für Berliner Liveclubs aus FILs „Didi & Stulle“

Berliner Liveclubs veranstalten gemeinsam eine Lesung mit der Berliner Band die ärzte (ohne Rod). Bela & Farin lesen (ohne Rod und ohne Live-Publikum) im legendären Berliner Club SO36 aus „Didi & Stulle“, dem Meisterwerk des formidablen Berliner Comic-Tausendsassas Fil. Der Eintritt zur exklusiven Ausstrahlung der Lesung ist freiwillig und in der Höhe frei wählbar. Es gilt: Viel hilft viel. Alle Eintrittsgelder kommen renommierten Berliner Livekonzert-Clubs zu Gute, die Corona-bedingt geschlossen haben und um ihre Existenz kämpfen.

die ärzte lesen aus „Didi & Stulle“:

https://www.betterplace.me/dieaerztelesenfil

FAQ zur Lesung: https://www.bademeister.com/dieaerztelesenfaq

 

Hintergrund:

die ärzte sind Die Beste Band der Welt, kommen aus Berlin (aus Berlin!) und bestehen aus Bela B, Farin Urlaub und Rodrigo González.Fil ist Der Lustigste Mensch des Universums, Comiczeichner und -autor, Sänger, Entertainer, Genie und Wahnsinn und kommt aus Berlin.Didi & Stulle sind die berühmtesten Comicfiguren von Fil, hatten ihren ersten Aufritt Mitte der 80er-Jahre im Berliner Stadtmagazin Zitty, wo sie ab 1997 regelmäßig erschienen, und kommen aus Berlin.Das SO36 ist einer der bekanntesten Konzertclubs des Landes und existiert in dieser Form seit 1978. In Berlin.

Skalitzer Straße 85-86, Berlin Kreuzberg
R'n'B, Soul
Konzert
Do 21. März 2019
Konzert
Ural Thomas & The Pain
präsentiert von Fresh Guide

Ural Thomas – Vocals Scott Magee – Drums, Vocals Brent Martens – Guitar Arcellus Skys – Bass Steve Aman – Keys Willie Matheis – Tenor Sax Dave Moonie – Trumpet Bruce Withycomb – Baritone Sax

Genre: R'n'B, Soul

If life was at all fair Ural Thomas would be a household name, his music slotted into countless sweet, seductive mixtapes between James Brown, Otis Redding, and Stevie Wonder (all of whom Thomas has performed with.) Straddling the line between hot soul shouter and velvety-smooth crooner, Thomas released a few singles in the late 60’s and early 70’s; most notably “Can You Dig It”, which featured backing vocals from soul luminaries Merry Clayton, Mary Wells and Brenda Holloway. Thomas played over forty shows at the legendary Apollo Theater before turning his back on an unkind business and heading home to Portland, OR.

It goes without saying that a man practically built out of rhythm would never stop playing music. Thomas began hosting a regular Sunday night jam session at his home that ran for nearly twenty years. A de facto mentor to many of the younger players, Thomas reminds us all that “If you care about what you’re doing, you need to build those muscles and do the work. Don’t get discouraged, do it for love. Even if you’re digging ditches, do it with passion.”

In 2014, local soul DJ Scott Magee sat in on drums. The two became fast friends and at Magee’s urging Thomas decided to give his musical career another shot. Magee became the musical director, they put together a band, and in 2016 released a self-titled album on Mississippi Records.

In 2017 Thomas signed with Tender Loving Empire and began work on what, in many respects, will be his debut full length. Diving deep into lifetime of melodic creativity, Thomas and his band got to work. Recorded in Magee’s studio Arthur’s Attic, The Right Time features the air-tight work of Magee on drums, percussion, and backing vocals, Bruce Withycombe (The Decemberists) on baritone sax, Portland jazz scene fixture Brent Martens on guitars and vibraphone, Arcellus Sykes on bass, Steve Aman (Lady Rizo) on piano and organ, Dave Monnie on trumpet, Willie Matheis (Cherry Poppin’ Daddies) on tenor sax, and Jasine Rimmel, Joy Pearson, Sarah King, Rebecca Marie Miller on backing vocals. The Arco Quartet performed the strings, and the record was engineered and mixed by Jeff Stuart Saltzman (Blitzen Trapper) and mastered by JJ Golden (Sharon Jones, Ty Segall).

One might think after a sizeable taste of early success Thomas would be more than a touch bitter – yet the opposite is true. “We have to be positive if we want the world to get better” Thomas advises. “We’ve come a long way, but if you carry a grudge with the whole world you’ll stop your growth. We’re a family, all just brothers and sisters, descendants of Adam. You can’t get anywhere without an open heart.”

A developing artist at nearly eighty years old, for Thomas music has always been about bringing people together. “If we play for twenty people we cook it like it’s twenty thousand” says Thomas. “If we make someone smile we’re satisfied. They’re ain’t no difference between us. It’s all love and brotherhood. If folks listen to my record and feel that I’ll feel very blessed.”

Standing in bold defiance of the idea that aging is a reason to slow down and stop living, for Thomas the right time to get down is the next time someone plugs in a guitar or puts on a record. Ural is ready – are you?

Örtlicher Veranstalter: Trinity Music