Musik Clubs müssen laut Infektionsschutzverordung SARS-CoV-2 des Berliner Senats weiterhin geschlossen bleiben.
According to the SARS-CoV-2 Infection Protection Ordinance of the Berlin Senate, music clubs must remain closed.
Ohne K(UNS)T wird’s still!
The musical tradition of his native Martinique is, perhaps unsurprisingly, one of the defining strands in the musical DNA of pianist Grégory Privat, who was born there in 1984. The earliest musical influence on Grégory Privat was his father, a pianist and a member of one of the best-known Martinican bands, „Malavoi“. He was already encouraging the young Grégory to take piano lessons from the age of six. After ten years of classical piano training, Privat fils started composing and improvising: jazz became his musical home territory. For the next stage of his playing, it was a steep learning curve of sessions and gigs in Toulouse, the French city to which Privat had moved in order to pursue studies to qualify as an engineer. That experience garnered in Toulouse served him well when he moved to Paris, where his name started to become known on the jazz scene. The French capital‘s jazz life is vibrant and relatively open to different styles. At 27, Privat took the plunge, abandoned his well-paid office job for good, and finally began to concentrate solely on music. Before long he was playing with the most illustrious of the musicians originally from Guadeloupe such as the saxophonist Jacques Schwarz-Bart, the trumpeter and Miles Davis devotee Franck Nicolas and the master of Gwoka, the percussionist and drummer Sonny Troupé, who was to become his musical companion and close friend. Privat also worked with some of the key figures on the European scene, such as Stéphane Belmondo, Rémi Vignolo and a musician currently making major breakthroughs with his highly individualistic style of jazz-rock, Guillaume Perret.